“When we listen to artists, we are looking for their consciousness and their identity,” Kernodle said. “People heard enough in her music to align it with their personal struggle – whether it was a racial or gender struggle. At the end of the day, we do want our celebrities to be advocates and activists for us in those places.”. In music videos and interviews, she showcased her natural hair, telling interviewers about her “big chop” and describing how she would do comb twists before photo shoots. She found herself explaining the politics of natural hair to white male record executives. One day, a woman walked up to her on the street and said she based her hairstyle on one of the singer’s music videos.
“Our Miss Gibbs” is a comedy from the golden age of London’s famed Gaiety Theatre, composed by Lionel Monckton and Ivan Caryll with a book by James T, Tanner, In this production, it will be revived as a staged concert with salon orchestra, a small ensemble gathered to play in cafes, cabarets and homes of the wealthy at the turn of the century, “Our Miss Gibbs” (1909) pays homage to the City of London and its Gaiety Theatre, recast as the fictional Garrod’s Department Store, The show’s high jinks are set to some dance gift, ballet shoe print, dancer recital gift, dance print, dance poster, pointe shoes, girl nursery print, girl bedroom de of the breeziest, most popular tunes of the Edwardian Era..
“And I loved the idea that it was totally wacky – my first teenage zombie Christmas musical.”. Oh yes, did we not mention that yet? Anna is an 18-year-old high school girl in a gritty Scottish town and the impending apocalypse will feature zombies appearing sooner or later, maybe at Christmas. But Hunt, who was the same age as her character when she shot the film, is not wrong: “Anna and the Apocalypse,” which opens in Los Angeles on Friday, and Orange County on Dec. 7, may have all the brains necessary for a zombie flick, but it also has a whole lot of heart, some of which involves a real-life backstory more poignant than one would expect for any kind of movie, much less an undead musical.
Lorde has been mighty good during her previous Bay Area performances, dating back to her sold-out show at the Fillmore in 2013 and including her recent main stage set at the 2017 Outside Lands Music and Arts Festival, Yet, she’s never been better than what fans witnessed on Tuesday night at the Oracle Arena, “Oakland — Hello and welcome to the Melodrama World dance gift, ballet shoe print, dancer recital gift, dance print, dance poster, pointe shoes, girl nursery print, girl bedroom de Tour,” Lorde said not long after taking the stage, opening up the roughly 90-minute set with an intoxicating “Sober.” “It’s so nice to be back in the Bay Area.”..
Lunafest: Short Films By, For, About Women. 10 a.m. March 7. 14th annual touring film festival. Hosted by The Zonta Club of Silicon Valley. Guild Theatre, 949 El Camino Real, Menlo Park. $15-$25. www.lunafest.org. “Children of the Camps.” 7 p.m. March 11. With filmmaker Dr. Satsuki Ina. Presented by Palo Alto Children’s Theatre. Mitchell Park Community Center, 3700 Middlefield Road, Palo Alto. Free. “Apples from the Desert.” 6 and 8:30 p.m. March 15. Silicon Valley Jewish Film Festival. 96 minutes. Hebrew with English subtitles. Oshman Family JCC, 3921 Fabian Way, Palo Alto. $10-$15. www.svjff.org or 650-223-8700.
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