And I was watching with great interest during the years that the “Smiley Smile” album was trying to come together. And of course, various parts of it were released — and the various versions of “Surf’s Up, which I think is also a remarkably interesting song, and which I really liked best when it was not completely produced. It was first issued in a way that sometimes it was just Brian playing the piano, and then sometimes it was full production, and then it went — they obviously had achieved different parts of it and they just made a cut which put all those different pieces together. I thought that was terrific.
Several days later, Swift, 26, and Hiddleston, 35, were spotted dancing r class ballet shoes at the Met Gala, and a few weeks after that, Swift and Harris, 32, called it quits, and Swift soon took up publicly with the British actor, According to TMZ, Swift wrote the song during her happy times with Harris, She sat down at the piano and did a demo into her iPhone that she sent to Harris, He loved it, and they headed to the studio to do a full demo with Swift on vocals and Harris doing the beat, TMZ reported, They both knew the song would be a hit, but Swift, who wrote it for Harris, didn’t want the public to know that it was a product of their collaboration as a couple, Both worried it would overshadow the public’s reception of the song..
“This is why I’ve written ‘Red Altar,’ the story of my ancestors who started the fishing industry in 1850 in the Monterey Bay area, facing anti-Chinese violence and racism, both legal and illegal. Not many know this history at all.”. Wang says her vision is for a world in which common truths are revealed and values like inclusion, compassion and awe are most honored. Like most storytellers, Wang has a few favorites. A Cambodian origin myth, Trouble Talk, contains a message that human competition for power is the cause of the world’s troubles.
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Looking for stuff to do in the Bay Area this weekend? Here are some tips: from the big gay, silly musical “La Cage aux Folles” to a brand new dance from one of the Bay Area’s hottest Choreographers. Pride and joy on stage: Bust out the sequins because “La Cage aux Folles” is back, baby. This glitzy Jerry Herman and Harvey Fierstein classic is getting revived by San Francisco Playhouse. Bill English directs the Tony-winning chestnut that celebrates the life-affirming love and pride of a gay couple who will do anything to protect their son, even hide their sexuality when meeting their future son-in-law’s right wing parents. Details: Through Sept. 16; San Francisco Playhouse; $30-$125; 415-677-9596, www.sfplayhouse.org— Karen D’Souza, Staff.
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