A Little Night Music: Jan. 24-26, Dinkelspiel Auditorium, 471 Lagunita Drive, Stanford. A musical performed by the Stanford Department of Music tells the tale of a group of people who have made mistakes in the past and now try to fix them. $13-$23. https://tickets.stanford.edu. Live Screening of “The Madness of George III”: 7 p.m. Jan. 24 and 2 p.m. Jan. 27, Hammer Theatre Center, 101 Paseo De San Antonio, San Jose. In 1786, King George III is the most powerful man in the world. But his behavior is becoming increasingly erratic as he succumbs to fits of lunacy. This is a high-definition film of the stage production. $14-$21. www.hammertheatre.com.
That’s when the quartet of Antone Jackson, Cadarious Mayberry, Montel Anthony Nord and Anthony Rollins-Mullens gyrate onstage, oozing sweet music and charm. Their versions of “Keep on Rollin’” and “Searchin’” convince the audience that there are more pleasures ahead. This foursome could be the entire show, and it would still be worth the price of admission, Suddenly, two femme fatales of the cast, Cheyenne Wells and Janelle LaSalle, slither out in tight, hot, red and red bridal shoes with ghungaroos, red ballet shoes, embellished wedding shoes, embroidered juttis, indian shoes black outfits to belt the sultry hit “Trouble.” Both Wells, looking a far cry from her Ariel role in “The Little Mermaid,” and LaSalle have other showstopper numbers in Act 2..
Her musical interest started in the third grade, and she has played in the symphonic, marching and jazz bands at Deer Valley. She has also played with the East County Select Band and performed with the Air Force band, according to Widener. Dance remains her first love, and she hopes to continue performing and choreographing younger ballerinas during college. “I learned how to prioritize my time with music and dance,” Zeek said. “I have a lot of people supporting me, especially my parents.”.
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“The Frida (Kahlo) theme and the charro theme is very popular,” said Frank Zepeda, a spokesman for Quinceanera.com, which hosted an expo at the Riverside Convention Center in July and will host another Sept. 24 in Ontario. “With what’s going on in the world, a lot of people are embracing their culture and their children, they are willing to embrace it as well.”. Experts say it’s not too surprising that young Latinas and their families have used the coming of age ceremony as a way to assert their cultural identities as a form of resistance.
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